Music / Reviews
Review: Imarhan, the Fleece – ‘A hypnotic journey to the Sahara desert’
The Fleece stands as a pillar of Bristol’s vibrant music scene, championing a diverse array of music.
Tonight’s highlight was Imarhan, touring their latest album Essam – a title meaning “lightning.”
Originating from Algeria, Imarhan proudly represents the Tuareg people, sharing stories of their nomadic heritage through Assouf music, a traditional genre embodying nostalgia.
Since discovering Imarhan, I have been captivated by their hypnotic sound. On Essam, the band masterfully fuses traditional Assouf rhythms with elements of electronic rock guitar and drums, crafting a distinctive Blues-infused soundscape that is enhanced by impeccable production.
This album, alongside their earlier work, sets the stage for what promises to be an enthralling live experience.
The evening opened with JP Oldfield who launched into his set without introduction, delivering resonant Americana guitar riffs paired with powerful vocals that filled the venue.
His engaging rapport with the audience – marked by light-hearted banter about guitar tunings and his hometown – added a warm, personable touch to his deep Blues performance, perfectly priming the crowd.
JP Oldfield’s solo performance got the crowd onside
When Imarhan entered the stage, adorned in traditional Tuareg attire, the atmosphere instantly shifted as the crowd was transported to the Sahara desert.
The band guides the audience on a rich ancestral journey, balancing slower, meditative tracks with more energetic numbers to maintain engagement throughout.
Though their onstage communication was predominantly in French, the emotional depth of their music does the talking, transcending language barriers and drawing the crowd into a trance-like state.
Positioned near the percussion, I was particularly mesmerized by the interplay of the calabash and djembe – traditional Tuareg drums – woven seamlessly with a conventional drum kit on the opposite side of the stage. The synchronization between the percussionists was palpable, driving the rhythm that kept the audience moving.
The evident camaraderie among band members, expressed through shared smiles and nods, enhanced the collective energy. Audience participation was encouraged through rhythmic hand clapping and chants, amplifying the sense of unity and immersion.
After the show, members of Imarhan warmly greeted fans at the merch stand. Speaking to the other show attendees, it’s clear that the band hold a steadfast following of die hard fans in Bristol, reminding me as always of the city’s rich musical diversity.
A conversation with the band’s producer revealed a long-standing collaboration and pride in the sonic landscape crafted with Essam.
With one final UK date before continuing their European tour, Imarhan is undoubtedly a band not to be missed – and Bristol will eagerly await their return.
All photos: Vicky Cornelius
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