Comedy / Reviews
Review: Ed Night, The Plunge, Tobacco Factory Theatres – ‘surreal white-knuckle laughs’
On Saturday I saw one of the most memorable comedy sets I’ve seen in a long time. A mix of dark humour, surreal imagery and brutally sharp timing, Night’s material took the audience on a wild, occasionally jaw-dropping ride.
There was no support act. It was just Ed Night, straight on stage and funny from the very first line. It takes real skill to grab an audience’s attention so quickly and Night did it effortlessly. The atmosphere was instantly electric and it stayed that way throughout the set.
Independent journalism
is needed now More than everKeep our city's journalism independent. Become a supporter member today.View this post on Instagram
Much of the show’s comedy was of the white-knuckle variety – jokes about health conditions and criminals were delivered with a disarming charm that somehow made the outrageous feel just about acceptable.
But this wasn’t shock for shock’s sake – Night is a clever writer, and his material was built on real insight and bold choices.
What set this performance apart was how Night interacted with the crowd.
Rather than sticking to the usual fallback of asking people what they do for work, he bantered with the audience in a genuinely off-the-cuff and authentic way. It was refreshing to see a comic connect with people without relying on the well-worn tropes.
It made the whole experience feel alive and unpredictable.
View this post on Instagram
The set was also peppered with more light-hearted observations – a particularly funny segment about the passive-aggressive tone of self-service checkout machines had the whole room in stitches.
These moments provided a welcome contrast to the darker material and helped create a sense of balance in the show.
But, above all, it was Night’s delivery that made the night so exceptional.
His timing was impeccable – every line landed exactly as it should, whether it was a surreal image, a sharp political comment or an absurd throwaway line. The structure felt chaotic at times, veering between the abstract and the serious, but somehow it all came together in a way that made perfect sense.
As someone who was only familiar with Ed Night through Instagram clips, I wasn’t sure how his style would hold up in a full-length set.
It didn’t just hold up – it exceeded all expectations.
Main photo: Tobacco Factory Theatres
Read next:
- The Gaffe Comedy Club to host a clutch of Edinburgh Fringe previews
- Josephine Lacey on confessional standup, the success of ‘Autism Mama’ and playing Bristol Comedy Garden
- John Tothill: ‘I probably shouldn’t have to have got a life-threatening disease in order to do a comedy show’