Theatre / Reviews
Review: Avenue Q, Hippodrome
Who would go and see a show in which a cast of muppets sing about a vast range of inappropriate subjects including racism and pornography? A vast range of people, on the evidence of a packed Hippodrome.
Set on a busy New York street where neighhours are friends and sometimes lovers, Avenue Q was never originally intended as a stage show. Nevertheless, it’s continued to develop and delight over several years with its array of close-to-the-bone topics.
The lights are shone on the puppeteers as well as on their puppets throughout the night and the audience’s gaze seems to flit between the two, as the actors’ faces and body language reflects the mood of the hairy characters on the end of their arms.
With her outstanding vocal range and convincing stage presence, special mention must go to Sarah Harlington, who plays the parts of Kate Monster as well as Lucy the Slut. All of the puppeteers are amazing, but Sarah stands out as exceptional.
Despite all of its slightly risqué subjects, Avenue Q sells out around the world without complaints. If Bristol audiences are anything to go by, the usual reactions are gasps of surprise and continuous giggles – especially when Donald Trump is mentioned.
Avenue Q continues at the Hippodrome until Saturday, Feb 13. For more info and to book tickets, visit www.atgtickets.com/shows/avenue-q/bristol-hippodrome
Pic: Matt Martin
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