Circus / Reviews

Bristol Circus City review: Revolutions per Minute, Bristol Beacon – ‘Physically impressive, but narratively confused’

By Tom Dewey  Thursday Oct 16, 2025

From October 9-30, the UK’s largest international circus festival is running in Bristol. Circus City continued yesterday with Revolutions Per Minute, a production by Gorilla Circus.

The performance takes place on a treadmill, in profile, which moves at a walking pace as the performers move, dance and roller-skate on top of it.

Revolutions Per Minute challenges Britain’s colonial past and seeks to interrogate whether, as a country, we have ever truly reckoned with it.

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Spanning time and generations, we see the Windrush generation arriving in England and dealing with the ludicrous administration of immigration officials.

With infrequent voiceover to help contextualise the non-verbal work, the performance flips to contemporary England and into a breakdancing piece.

The production often lacks clarity. It finds itself torn between a narrative-driven piece of theatre and a performance of circus skills. Both the rhyming and metaphors in the voice-over could use some reworking.

The inclusion of Nina Simone’s Sinnerman makes for a great scene, and the visual of paper documents scattering across the treadmill is fantastic.

Although the show journeys towards a sense of optimism, it isn’t especially clear how or why that happens. We open, mulling on Britain’s colonial history, to find ourselves in a position of sudden optimism by the end of the work.

I think it’s very difficult to land shows like this, and perhaps this work needed a Dramaturg to help iron out the narrative beats of the piece. That said, the circus skills are profoundly impressive, and the performers are clearly extremely capable.

Circus City 2025: Bodies of Care is at multiple venues on October 9-30. For information and tickets to individual shows as well as festival passes, visit www.bristolcircuscity.com.

All photos: Gorilla Circus

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