Reviews

• Music / Reviews

  Review: Clara La San, Electric – ‘A powerful reminder of how music can bring people together’

  It was a memorable night for the fans of the bedroom pop producer

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• Theatre / Reviews

  Review: Stampin’ in the Graveyard, The Wardrobe Theatre – ‘A complicated and challenging piece of work’

  Writer and performer Elisabeth Gunawan is AI chatbot ROSE in this immersive show from Kiss Witness

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• Music / Reviews

  Review: Happy Mondays, Bristol Beacon – ‘No need for cheap thrills or reinvention’

  35 years on from Pills 'n' Thrills 'n' Bellyaches the Madchester boys prove they still got it

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• Music / Reviews

  Review: Eliza Carthy, Bristol Beacon – ‘A feast in the best folk tradition’

  A tribute to 'the Codfather of Folk' was warm, heartfelt and fittingly nostalgic

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• Music / Reviews

  Review: J.I.D, the Prospect Building – ‘A lesson in the art of performance’

  The rapper is touring off the back of his Grammy nominated album

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• Theatre / Reviews

  Review: Twelfth Night, Tobacco Factory Theatres – ‘Another triumph from the most exciting acting school in Bristol’

  It’s the latest production from Bristol School of Acting

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• Music / Reviews

  Review: FEET, Exchange – ‘An immense performance’

  Business casual or business as usual?

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• Theatre / Reviews

  Review: The Boy at the Back of the Class, Bristol Old Vic – ‘A masterclass in accessible, important theatre; we need more plays like this’

  The Olivier-Award-nominated show about a young Syrian refugee is told from a child’s perspective

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