Reviews

• Clubs / Reviews

  Review: Wall of Bass, The Underground – ‘An energetic and forward-thinking scene’

  The subterranean venue builds on a decades-long legacy of soundsystem culture and warehouse raves

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• Music / Reviews

  Review: Sam Carter, St George’s – ‘A masterclass in songwriting’

  A double dose of folk beauty proved that less can definitely be more

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• Music / Reviews

  Review: Floating Points, The Prospect Building – ‘we crisscrossed planets and negotiated asteroid fields’

  Sam Shepherd has been playing in Bristol for over a decade

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• Music / Reviews

  Review: Cradle of Filth/Butcher Babies/High Parasite, O2 Academy

  Filthies deliver Halloween week devilry in glitch-afflicted opening night of their tour

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• Music / Reviews

  Review: Lacuna Coil/Blind Channel, O2 Academy

  Italian goth-metallers show no signs of exhaustion as their tour concludes at a packed Academy

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• Music / Reviews

  Review: Rokia Koné, The Jam Jar – ‘An exhilarating exhibition of artistry’

  The renowned Malian singer brings her debut album to Bristol

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• Theatre / Reviews

  Moments, Tobacco Factory Theatres – ‘Interesting, but not totally convincing’

  It’s the culmination of a project conceived and directed by Guillaume Pigé

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• Music / Reviews

  Review: Men Are Singing, Tobacco Factory – ‘joyous and connected’

  "The brainchild of Cornish creative Seamas Carey, is reinventing the concept of a male voice choir"

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