Dance / Reviews
Review: Holly Thomas: Half Light, Arnolfini – ‘A beautiful and intelligent work’
Thomas’ inclusive performance draws on personal experience of both visual impairment and parenting
T
Latest articles from Tom Dewey
![]()
![]()
Circus / Reviews
Bristol Circus City review: The Shedding, Arnolfini – ‘Bold, challenging and utterly stunning’
Elise Reine blends ‘trapeze, contortion, performance art and power ballad’
![]()
Circus / Reviews
Bristol Circus City review: Revolutions per Minute, Bristol Beacon – ‘Physically impressive, but narratively confused’
It’s a dynamic show from Gorilla Circus that blends rollerskating, acrobatics and street dance
![]()
Circus / Reviews
Bristol Circus City review: Armour, Arnolfini – ‘A deeply moving exploration of masculinity and sensuality’
The show comes from Brussels-based performers Arno Ferrera & Gilles Polet
![]()
Dance / Neon Dance
Review: Last and First Men, Bristol Beacon – ‘Truly extraordinary’
Set 2 billion years in the future, this Neon Dance production blends film, dance and music
![]()
Theatre / Reviews
Review: When the Morning Stars Sang (& The Angels Shouted for Joy), Tobacco Factory Theatres – ‘A poised performance, but a limited interrogation of ideas’’
Veteran storyteller Hugh Lupton is accompanied by cellist Sarah Moody
![]()
Theatre / Reviews
Last Rites, Bristol Old Vic – ‘An utterly extraordinary masterclass in visual storytelling’
Ad Infinitum present a non-verbal show featuring Ramesh Meyyappan and George Mann
![]()
Theatre / Reviews
Review: 50 Ways to Kill a Slug, The Wardrobe Theatre – ‘Visceral, evocative and deeply human’
The show returns after appearing as part of 2024’s PAPAYA Fest
